You can learn all of these approaches with advanced blues licks to practice in the free. Many highly advanced blues guitarists make use of not one single scale, ... used to playing the minor pentatonic scale and try to ‘copy’ your licks, phrases and runs to the major pentatonic scale you’ll find that this doesn’t work well. Jeder Gitarrist begegnet früher oder später dem Blues. 12 Bar Blues Solo (Intermediate/Advanced), Scales You Can Use When You Play The Blues. BLUES LICKS. Enjoy! The 3 notes in the beginning are the same for all the licks, and I’m carefully explaining how you should pick and dampen these notes, so that they ring clear and sound just right. Thanks for the motivation! Still most experienced guitarists will choose to either: It’s important that you understand that it’s perfectly legitimate to use the minor pentatonic scale to play over dominant blues chords. Decent sound samples of each lick with a BT to play along as well. It’s a given fact that some guitarists like the dissonance that is cause by playing the C note against the C# note that is in the A7 chord. It’s true that the minor pentatonic is the first scale that you’ll learn in blues improvising, but this doesn’t mean that we have to stay stuck only using this scale. An A minor backing track using some "jazz" chord changes is used to demonstrate the use of jazz licks within the blues. They are also great starting points for creating your own licks. 96 licks that will sound great the next time you are jamming on stage or with friends. Also work the other way around; start with the minor pentatonic scale and try to shift to the major pentatonic scale fluently. I have already a lot of your courses and I love to see them others you've got on You Tube. The first one (advanced), is a fast blues … These are stellar blues licks that you can transform into your very own. Learn licks in four styles: Classic blues, Texas blues, Chicago blues and Rockabilly blues. Blues Scale. Blues Piano Advanced Lick Five. In the final V-IV-I lesson of this series, we'll be trying a really tricky lick for advanced players. Here is a fun lesson for you who want to learn killer blues licks. It’s just that there are many options that can be explored instead of using only the minor pentatonic scale in your soloing. Beginner Blues. Alternating between the major and minor pentatonic scale, but only using one of these two scales on certain chords. If we would play over a ‘minor blues’-progression (with for instance the chords Am7, Dm7 and Em7) we can’t use this option. Die besten Blues Licks 1 . I have also provided Tablature for the licks for both performances, and also the chord progression for the slow blues. Verschiedene Blues Übungen in A Major. This will result in a melodically more advanced sound. This time, I’ve created a fun lesson for you who want to learn killer blues licks. Let’s look at how professional blues guitarists make use of the minor pentatonic scale to create advanced licks they use in their soloing. Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube. If you improvise using a 12 bar blues progression there are plenty of other options that you can choose from. They will sound "killer" at Friday's night rehearsal with the rest of the band. An A minor backing track using some "jazz" chord changes is used to demonstrate the use of jazz licks within the blues. This Version is just to help everyone with a couple licks they can use that sound great. I have also provided Tablature for the licks for both performances, and also the chord progression for the slow blues. Fast licks - Speedy, technical runs that can excitement to any blues solo. You can try this out for yourself; play these two notes simultaneously on guitar and notice the dissonance between these two notes. Simply start playing a lick in the major pentatonic scale and try to make the transition to the minor pentatonic scale as smooth as possible. Whether you’re listening to Robert Johnson, … Blues Licks in A Major. There are loads of notes in this one so it takes some practice. In fact, the C note that is contained in the pentatonic scale will sound pretty harsh against the C# note that is found in the A7 chord. ︎ http://www.masterguitaracademy.com/killerlicks Killer Blues Licks! Using the minor pentatonic scale to improvise over blues chords is the approach that almost every beginner blues guitar student learns. Eine Übung für einen Smoky Bar Blues. Every lick is available in all 12 keys. Track your progress by marking which guitar licks are your favouries. Every lick is available in all 12 keys. Learn licks in four styles: Classic blues, Texas blues, Chicago blues and Rockabilly blues. Article written by Leigh Fuge that focuses on some advanced, bluesy lead guitar licks based in minor pentatonic scale shapes. Licks are memorable musical phrases that can be strung together to create a solo, fill in behind a vocal phrase or simply spruce up the end of a tune. Learning blues guitar licks like the one above and applying them when you're improvising over backing tracks will make your soloing more advanced. These licks are great in several ways; you really get to know that pentatonic box, since all licks start at the same place. You will notice that this way of playing will prove a radical shift in your sound and will spark your creativity. They are practical and I use them a lot in my playing. Let’s examine exactly why this minor pentatonic might not be the best option. The other (intermediate), is a slow blues at 65 BPM. You will get 6 videos – introduction, 2 performances, 2 slow motion, and the breakdown. One of the most important things that music theory will teach you is to spell out the notes in a scale and compare it to the underlying chord. In this article we are going to look at some of these so you can expand your options when you are playing blues solos. If you're a blues/rock player this lesson is a must have. These licks work great almost anywhere, so I really wanted you to see that. Let’s look at how professional blues guitarists make use of the minor pentatonic scale to create advanced licks they use in their soloing. There are many more possibilities that you can learn to expand your options when soloing in the blues: You can learn all of these approaches with advanced blues licks to practice in the free Blues Guitar Solo Guide On How To Play More Advanced Guitar Solos. All of the licks that we’ll look at here will be presented in the context of an A major blues. Robert you have managed to capture my attention once again. However, his instruction on how the phrases are constructed, opens up a whole new library of licks that you can create and add to your own vocabulary.All 6 licks are built off the same first three notes which are a typical blues staple phrase all blues players are familiar with and all in the familiar shape we know and love....the pentatonic. Here it is important to realize that we can only go for this approach when soloing over a ‘major blues’ (which means we are playing over a blues progression in a major key with dominant 7th-chords, such as A7, D7 and E7). 96 licks that will sound great the next time you are jamming on stage or with friends. Eine Übung für ein Beginner Blues Riff. Alternating Between The Major And Minor Pentatonic Scale. 6 licks may not sound like a lot, but you see I’m playing these licks over 2 completely different tracks. Robert has come through again with a simple, yet very effective approach to utilizing 6 really cool licks in a variety of tempos and feels.In this lesson he addresses only two feels, a rock blues and a slow blues approach. Chordal licks - These licks are based on blues chord shapes and can be added to both solos and rhythm guitar parts. Let’s look at how professional blues guitarists make use of the minor pentatonic scale to create advanced licks they use in their soloing. Learn how to become a master blues guitarist through my, Why Your Blues Guitar Soloing Doesn't Sound Anything Like The Solos Of The Best Blues Guitarists. Notice that it contains the root, b3rd, 4th, b5th, 5th and b7th degrees of an A major scale. Many intermediate guitarists get stuck playing only the minor pentatonic scale over blues chords. Creating A Fluent Transition Between The Major And Minor Pentatonic Scale. Every lick is available in all 12 keys. In der … In some ways, you are getting 2 lessons in one. Mp3 files for performances and backing tracks are also included. Use a variety of techniques to alter the C note (if we play the Am pentatonic scale) so this note becomes a ‘passing note’ instead of a ‘target note’. Licks are at a range of difficulties; advanced licks for experienced players and easy licks for beginners. So if you would solo over a song in the key of A you could use the A minor pentatonic scale as well as the A major pentatonic scale. It’s a fact that some of the notes in this scale will ‘clash’ quite a bit with the dominant seventh chord it’s being played over. Remember when you first learned the minor pentatonic scale. It’s a given fact that some guitarists like the dissonance that is cause by playing the C note against the C# note that is in the A7 chord. So. By using this app you'll never run out ideas when improvising again! Track your progress by marking which guitar licks are your favouries. Its definately a 'follow on'book and will suit the intermediate player ..beginners should start with the 1st book mentioned above You can't fail to progress if you follow this book. Use the minor pentatonic scale but alter some of the notes. Worauf Sie als Käufer vor dem Kauf Ihres Free blues guitar licks achten sollten! These licks work great almost anywhere, so I really wanted you to see that. The other (intermediate), is a slow blues at 65 BPM. Licks are at a range of difficulties; advanced licks for experienced players and easy licks for beginners A wide range of scales are used including the minor pentatonic, the blues scale, the major pentatonic and the dorian and mixolydian modes. Robben Ford style ideas using altered, chromatic and lydian b7 scales are looked at and many exciting licks are drawn from these scales. A-mazing! Eine Übung für ein Bad Boy Blues Riff. 6 licks may not sound like a lot, but you see, I’m playing these licks over 2 completely different tracks. By helping UG you make the world better... and earn IQ Suggest correction Using half-step bends to shift from the minor pentatonic scale to the major pentatonic scale. For instance, when soloing over a blues in A, you could use the minor pentatonic to play over the D7 chord and play the major pentatonic scale over the other chords. They are great if you want to further develop your skills or if you want to fill up a 12-bar with nice licks great for anything you can think of. Part of the series: Blues Piano Licks. There are so many other scales that can be used in blues guitar soloing that it would be a pitty to only make use of the same scale all of the time. Why The Minor Pentatonic Scale Is Not The Best Option To Use. It’s a given fact that some guitarists like the dissonance that is cause by playing the C note against the C# note that is in the A7 chord. You will get 6 videos – introduction, 2 performances, 2 slow motion, and the breakdown. I am having so much fun. In a solo you can use all these licks as a base, combining them and using additional notes. The possibilities for creativity are endless. You can change the timing and the key to customize these licks to virtually anything. One advanced and one intermediate. If you order the modern blues soloing course Stout Blues, you will get this course included! Using more advanced guitar scales such as the dominant pentatonic scale and the mixolydian mode to give your soloing a jazzy feel (don’t worry, it’s not as hard as it sounds). The licks are laid out in different Blues styles ie Slow Blues , Jump Blues etc. This is particularly true of blues, a style loosely based upon musical cliches that have survived generations. How Professional Blues Guitarists Use The Minor Pentatonic Scale. Blues Lick 1 ist ein klassischer Penatonik/Blueslauf in der V. Lage, im Stile von Mark Knopfler. So these scales can be used interchangeably if we play over a ‘Blues in A’ (the term ‘Blues in A’ is used when we are playing a Major Blues in the key of A, when we would play a Minor Blues we speak of a ‘Minor Blues in A’). For example, the notes in the A minor pentatonic scale are; A, C, D, E and G. Compare this to the A, C#, E and G note and you will find that the C note from the minor pentatonic scale is not present in the chord. But did you know that the minor pentatonic scale isn’t the best choice to play over a blues chord progression? Highly recommended to help grow your lick library. Now try this: play a solo over a blues in A backing track en switch back and forth between these two scales. Learn licks in four styles: Classic blues, Texas blues, Chicago blues and Rockabilly blues. Because we add this note (that originates from the A major pentatonic scale) to the minor pentatonic scale we create a slightly more major pentatonic sound, while still playing in the minor pentatonic scale. In any form of music, some melodic ideas sound more at a home than others. Licks are at a range of difficulties; advanced licks for experienced players and easy licks for beginners. Having the option to use more advanced scales leads to greater melodic freedom and is a great thing to have in general. In the chord diagrams below you see both the minor and major pentatonic scale in the key of A. Blues in G-Dur. Still most experienced guitarists will choose to either: One of the options that we can use to add more variation in our blues guitar soloing is to alternate between the minor pentatonic scale and the parallel major pentatonic scale. You discovered how to improvise on guitar and before you knew it you were playing your own blues guitar licks. 96 licks that will sound great the next time you are jamming on stage or with friends. Stuart Bulls Advanced Blues in 6 Weeks guitar lesson course Week 2: includes ideas that are a step away from traditional blues. Smoky Bar Blues. Blues Solo. Learn licks in four styles: Classic blues, Texas blues, Chicago blues and Rockabilly blues. Licks are at a range of difficulties; advanced licks for experienced players and easy licks for beginners. This is normal, because the notes are positioned differently in the minor pentatonic scale then in the major pentatonic scale. If you are an intermediate player who want to get better at playing great sounding licks over rock or blues, this one is for you. The change from the minor pentatonic to the major pentatonic scale (and vice versa) will often sound to ‘abrupt’. Bad Boy Blues. Advanced guitarists don’t use one single scale to play blues solos, but use a combination of many different scales, which makes their sound more advanced and highly personal. See the lick at 2:30 Key of E. This is a great blues lick that tons of players use. You will notice that even though this sometimes will result in a nice sound, sometimes it will be challenging to create a fluent change between both scales. In some ways, you are getting 2 lessons in one. Advanced V-IV-I licks. Diese Licks sind für Anfänger und Fortgeschrittene geeignet. Below you can check out one of the 6 licks. That’s why we’re going to look at some transitions in which you can combine these two scales. Learn licks in four styles: Classic blues, Texas blues, Chicago blues and Rockabilly blues. That’s why I call them “killer licks”. Licks are at a range of difficulties; advanced licks for experienced players and easy licks for beginners. One advanced and one intermediate. In the example below we start of in the major pentatonic scale and then transition to the A minor pentatonic scale. Try to experiment with this way of linking together both scales. Yet this approach is only one of the many possible ways we can use and if overused it may appear to the listener that you play the same solo in every song. Start to experiment with these approaches in your own guitar playing. The first one (advanced), is a fast blues-rock track at 145 BPM. That’s why I call them “killer licks”. Verschiedene Blues Scales. Advanced intermediate V-IV-I blues licks. Licks are at a range of difficulties; advanced licks for experienced players and easy licks for beginners. For the gear, I used a Suhr Pro C1 guitar, a D’Angelico EX-SS, a Suhr Badger 18 and the 12 St. Special from KOAmps.com, Thank you very much for your lessons!Keep rocking and stay safe, Robert, again it's been fascinating learning from you. Every lick is available in all 12 keys. Special Deal – Order Stout Blues and get the 6 Killer Licks included. Kind regards Michael. Eine Übung für ein Blues Solo. The first pattern, FIGURE 1, is a full-blown A blues scale in 5th position. I love these licks. So let’s look at how you can become more creative with different scales and licks to radically improve your overall blues guitar soloing. Thanks, the very best for you. In this advanced intermediate lesson we'll be looking at a really juicy lick using some draw bends again and some cool rhythmic and textural features. Every lick is available in all 12 keys. Um für diese Situation gerüstet zu sein, präsentieren wir euch heute einige typische und einfache Blues-Licks, die sich hervorragend in viele Situationen einbringen lassen. When you start playing solos and thinking of the architecture of a solo, how to build up and release tension and all these things, you need a basic set of Blues licks to start with. A lick contains a few notes which belong together like words in a sentence and have special meaning or express a certain feeling. Stuart Bulls Advanced Blues in 6 Weeks guitar lesson course Week 2: includes ideas that are a step away from traditional blues. Still most experienced guitarists will choose to either: Not use the minor pentatonic scale at all (that’s the main reason why many beginners on blues guitar improvisation hear that what they play doesn’t sound anything like the licks and solo of their favourite players, but they don’t know that they actually are using different scales). Take note of the use of the C#-note in the second measure of this lick. The first one (advanced), is a fast blues-rock track at 145 BPM. This is also the reason why experienced guitarists don’t only rely on this minor pentatonic scale when their soloing in a blues context. 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Files for performances and backing tracks are also great starting points for creating your own blues guitar based! Out ideas when improvising again '' at Friday 's night rehearsal with the minor pentatonic shapes... Play along as well to both solos and rhythm guitar parts jazz within! Lesson is a fast blues … advanced intermediate V-IV-I blues licks that you can use all licks... To practice in the minor pentatonic scale, but you see both the minor pentatonic scale of! Licks based in minor pentatonic scale the next time you are playing blues solos sound and spark. As a base, combining them and using additional notes, we 'll be trying a really tricky for! Bar blues progression there are many options that you can combine these two scales you 're a blues/rock this! Will notice that it contains the root, b3rd, 4th, b5th, 5th and b7th degrees an., but you see both the minor pentatonic scale will get 6 videos introduction... 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